Fiori Earrings (Meadow version). These are hand-fabricated from wire and sheet stock. The seed-like parts are simply flame-melted droplets- although it does require patience, a steady hand and a tiny tiny flame. Its easy to melt the whole thing. I like weeds and meadow flowers, they are small but resilient and beautiful.
30 October 2017
5 August 2016
Paintings Available
Following on from my 'Colour Fold' works (see earlier blog posts), Ive been making larger versions for the wall. Comprised of folded and riveted steel, these pieces take the form of a traditional painting tableaux.
What are they about? A strong nod to my silversmithing roots- I'm building vertical topographies by scribing, bending and layering sheet metal. Celebrating the fixing points, the silver ball rivets that poise the elements are made prominent. Whereas painted sheet metal is born of Industry, here, the matte, scumbled paint textures are more reminiscent of nature's weathered jetsam.
These David Neale paintings are now up for sale; www.davidneale.bigcartel.com
There's 6 available in this set, with larger works on the way.
20 February 2015
Australian Sapphire, Cut In Australia, Made in Australia
Do you take time to think about where an object comes from, and how it is made?
The rough blue sapphire was especially chosen by the bride-to-be, (imagine a girl in a lolly shop...) and then skilfully ground and polished, facet by facet- by a man who lives geometry- Doug Menadue of Bespoke Gems, Sydney. Apparently, the land where this stone was found is now closed to prospectors, making it all the more rare.
I was really excited to be able to bring together a fully Australian ensemble- this adds real value to the provenance.
Did you know? -Although this stone is a sapphire, the long octagonal shaped cut is called an 'emerald cut'- because it was developed to best show the colour of an emerald. Nowadays it remains a popular shape for diamonds and sapphires, as well as the eponymous emerald.
Specifications: Custom-made 18ct white gold engagement ring- featuring a 3.1ct natural Australian sapphire from Lava Plains, Queensland. Goldsmithing by David Neale.
Labels:
bespoke,
Bridal,
custom jewelry,
emerald cut,
engagement ring,
sapphire,
white gold
6 October 2014
Fiori stud Earrings
A stud version of the Fiori earrings in 9k rose gold. I made the rose coloured alloy up myself, so its a very subtle shade of pink. (see earlier post about the making process). These are available at Pieces Of Eight right now, and here on the Golden Smith Shop very soon.
15 August 2014
Golden Ratio Ring

A ring designed to rhyme with your finger bones. But not too precise. It has a warmth.
You can buy this 9k gold version from The Golden Smith Shop.
Also available in silver, platinum or 22k gold by request.
10 March 2014
31 January 2014
23 January 2014
7 December 2013
26 November 2013
30 October 2013
16 October 2013
10 October 2013
7 October 2013
Flower Earrings
A pair of earrings I made today. The design has in mind a methodology that doesnt require sanding or polishing, mainly just shearing and flame-work (a bit like etruscan?). I would love to make these in 22k gold (of course!) Please contact me if you'd like a pair in gold.
The silver version is available in The Golden Smith Shop. US$250
The silver version is available in The Golden Smith Shop. US$250
Here is the method:
First, roll out silver to a thin sheet, using rolling mills.
Cut out discs, then petals. I use scissors for this- snips or saw would be too awkward.
Flatten and texturise the flowers on a rough anvil, with an antique hammer.
Scribe lines on petals using a double-pointed tool and on a heavy paper pad to allow the right amount of push-out.
Close-up of said tool. I fashioned this from a broken twist drill and hold it in a pin vice.
Dome the shapes using a wooden punch and matrix.
I dont use steel versions of these tools as these would probably spread the already-thin material.
I also stone-washed (not shown) these components to de-burr the edges.
Little backing cups are made using the same method.
All components, including ear wires are organised for assembly.
The backing cups are soldered to the ear wires. Soldering (not shown) is done under an exhaust hood and I also wear a respirator- to protect myself from potential fume hazards.
The flowers have holes punched through their centres, and are attached to backing-cups with a ball rivet. These rivets are formed from short lengths of wire with little heads melted on each end- and will allow the flowers to move a little.
A hot little flame is needed to quickly melt this rivet-head without heating the adjacent solder join
-which has a lower melting temperature. In other words, if you do this wrong, the whole lot melts together... or falls off!
Repeat. Repeat. Repeat... Repeat!
Assembly complete.
Bend assemblage into earring configuration, with ear-hooks.
Looking a little grey at this point, I immerse them in a bath of citric acid,
which brings them to a bright colour.
I burnish the ear-hooks to be bright and smooth, and give them a soapy wash.
Finito.
I may try some similar versions with elements other than flowers?
9 September 2013
31 July 2013
22 July 2013
Gold and Lapis Lazuli Signet Ring
Keeping it simple.
Lapis Lazuli and 18 carat yellow gold.
I cut this Lapis to a flat tablet, and gave the oval shape a slightly more oblate outline.
The gold has a stonewashed and hand-burnished finish.
Now at Pieces of Eight Gallery in Melbourne.
Of course I can make one just for you, just ask.
22 June 2013
11 June 2013
Iron & Gold Ring- from a scythe.

I cut this ring from the chine of a 19th century scythe blade.
I cold forged this to the desired thickness. This kind of old iron blackens easily- a good contrast to the 18k gold ball.
My method for making the ball (you can just buy them):
-calculate volume of gold req'd
-melt gold into a round cavity in a charcoal block
-attach this resulting crude sphere to a brass rod
-fasten rod in drill (voila: rudimentary lathe)
-turn on drill and file the sphere to perfection as it spins. Then cut off the rod.
-It looks a bit 'hard' and 'perfect' at this stage. To soften the perfection, I then rolled the sphere round and round between two marble slabs imparting a nice stone texture.
A little olde world scythe inspiration:
Subscribe to:
Posts (Atom)










































.jpg)





