30 November 2010
25 November 2010
Here are some of the new brooches (about actual size on my browser) I delivered to Gallery Funaki today-- had to wend my way through the film set of beer commercial in the lane. Weird. My workshop got flooded by torrential rain. Leaves and sludge all over the floor!
+saw my work on the telly. Also weird.
3.Repeat 'Kiss' Tiles
5.Stainless steel plates, forged
Making me pretty excited today is this stuff, up for auction; stuff said to be made by Brancusi- quite beautiful objects- very rustic. I would have posted more pics, but they was hard to nab.
Not sure if this is real- I mean the provenance of these objects? They have quite accessible reserves, some of them, like under 1ooo euro!!
I suspect the vendors have had trouble proving anything- or else surely this would be handled by Christies et al.?? But what do I know?
Bear in mind that Brancusi sculptures are world-record breakers, one from the YSL collection went for $37 million in '09.
I dont care- I love, love, love it. I am prepared to be hoaxed, if its a lie, its a beautiful one.
I would personally rather have a dish than a bird in space.
( I would also rather have $37 million than a bird in space, as nice as it may be)
Perhaps it will all be purchased by a big museum- hopefully not a Romanian one- because I doubt I will ever get to visit there.
Auction and story of provenance here.
All of which is old news, I was tipped-off by Dinosaurs and Robots
24 November 2010
23 November 2010
22 November 2010
19 November 2010
Several years ago, after I had quit my degree in Gold and Silversmithing, half-way through (as you do), I asked Sally Marsland to make me a comb. Sally had been one of my lecturers, and although I had quit, she remained a source of encouragement in my continuing to make any jewellery, at all, ever again. So- the comb- its a curious solution, not really an every-day functional object- but pleasing nontheless. Especially the dip in the middle- it is just perfect to hold between thumb and forefinger- the dimension of the metal at this point is mysteriously pleasing to measure with ones finger tips.
I never understand anything much about why or what she makes, but I like that. She is one of Australia's most interesting and talented jewellery makers.
Her exhibition Odd One Out is showing at Gallery Funaki, Melbourne.
Labels: as you do
17 November 2010
Provenance-where something comes from- can be very important.
In the case of gold, much serious degradation of the environment occurs in the mining process.
I was talking this over with an old school friend, Mark, who had approached me about custom-making his wedding band. We decided that it would be best if we could make his ring from local gold nuggets- that we found ourselves, taking care not to do irreparable damage in the process- to seek, but not destroy. After two arduous but memorable prospecting episodes, we hadnt found anywhere near enough to make the whole ring. With the wedding date looming, I decided to get help from a supplier of local Victorian gold nuggets, who fixed us up with enough gold, all of which was found by small-scale detectorists.
Gold- as it occurs in nature, is seldom 100% pure- it will often contain traces of silver for example, and is known as native gold. Native gold from Victoria's golden triangle region is some of the richest in the world, typically assaying above 95% purity- about 22-23k.
Here's what I did with it... and if I may say so my friends, this is a wedding ring par excellence...
These are the natural nuggets. That small one above is a piece we found ourselves ( greatly magnified!)
Firstly, I removed all the quartz I possibly could.
The ingot is beaten out, gradually approaching the desired dimensions.
Mark requested a band 9mm wide and 2mm high, so care is required to keep to the specifications.
...it gradually gets better and better...
Mark wanted his band to look handmade- but not too rough or crazy- just "not like a piece of machinery". To achieve this aesthetic, I endevoured to keep my method very restrained- to only use hammers, both to forge the shape, and to achieve the surface finishing. No machines, no abrasives.
No material will be removed.
The bend begins. I had initially thought I would solder the join, and have to make up my own high-karat solder- but then... I thought, NO- I'll FUSE it. To solder is to join by melting a less pure alloy into the joint- which leaves a visible line of another colour. Fusion involves melting the joint on itself- a seamless, invisible join. The difficulty of fusion is that you have to get the whole piece up to almost-melting temperature... then just-melt the join– you could melt the whole thing! Its a bit nerve-wracking.
You can see in this photo how the whole ring is red hot- and the surface is just starting to 'swim'; to go liquid. Danger! But, this risk of total destruction is part of the romance of goldsmithing, gentle reader. Commitment is required. The smith makes himself vulnerable.
This makes me think of marriage, naturally; for good fusion you have to melt yourself a little bit.
Perfectly fused! But hmm... it looks a little droopy, no?
Its just this shape becuase I did a 'scarf' joint (big overlap) for maximum surface contact.
Don't fret- its getting better and better.
Next, I forge and forge and forge, with my hammer, stretching the ring to size 'U' on the mandrel, and perfecting the shape.
To get the soft, ancientish surface texture was a matter of damping the face of the steel hammer.
After a thousand and one hammer taps, we have arrived.
The weight is astonishing.
The lustre is celestial.
The provenance is without reproach.
The band is seamless, the simple methodology has dignified integrity.
Wear it well, Mark- 'tis a beauty.
12 November 2010
10 November 2010
Don't get me wrong, I love it when my pals come over and play "kumbaya" on my guitar, while everyone else just has to listen.
But I felt it might be more sociable if we had two guitars in our house, so I thought I'd get a "guest's" guitar, that way, two of us can jam out while everyone else just has to listen.
So I acquired a busted guitar and set about refurbishing it to a playable state. The idea is to spend zero money. The machine heads ( the tuning keys) were all missing, so I made some from Fimo™, but they proved to be inadequate™. The white one just busted off when I needed to shred a drop-D tuning.
So it looks like I'll have to spend money after all.
But not the coin of the realm ( Oz dollarz)
Let's make some knobs out of Danish Øre and Japanese Yen.
I like this coin- with its happy font and love hearts- why is that, Danes? A royal wedding?
who is NR and JP?
Soldering on the coins...
(ok this photo is sort of a fake- you cant solder and take photos at the same time)
Unless you are an octopus. Who can live out of water. And wants to blog about his misadventures.
Still.... I reckon it'll be good for Blues- nobody knows the trouble its seen.
9 November 2010
I love love tokens. So if I had one, I guess it would have to have "love tokens" engraved on it.
I like how they are often an effacement of a coin- a kind of positive vandalism.
I also like that in this, they are cheap; only one dime- but the engraving might be skillful
Convict love tokens- sad partings.
If you couldn't afford engraving, the thing that would prove your love was to bend the coin, and give that as a token.
Him: Here... I, err, bent this coin for you...
Her: ...Umm thaaaanks..... (whispered aside:) awkward!
Apparently, metal detectorists often find these specifically bent coins in the field, so I'm tipping the ladies thought they were lame and flung them away.
I wonder if there is an more ancient tradition behind the bending; this anciently altered coin has these deep random score-lines.
This telephone token looks like a perfect potential bender to me... ready-crippled...
"skinny arms? Cant prove your love? Try new Ready-Crippled! She'll say "yes"...every time!! "