15 April 2014

Gold Loom Bands?

2,000 year old Loom Band?
Or as the style is known to jewellers;
'Loop-in-loop' chain

10 March 2014

Golden Ratio Rings

Golden Ratio Rings
In silver, set with white marble and lapis lazuli

Horseshoe Nail Ring

A gold horseshoe nail ring I made recently as a custom request.
Its a classic form that I've never made before, so it was fun to forge out the geometry with hammer and anvil. I wanted it to have a forgey, satiny, textural finish, so I didn't polish it.

18 February 2014


I was featured on the Pinterest Blog… shucks!

27 January 2014


Francois Pompon

24 January 2014

24k Horse Pendant

I love working with pure gold- not typically used for today's jewellery, being somewhat softer than the lower alloys, but the trick is to make it proportionally hefty, then it is very robust, and… well…


 Silver or 18k Horse Pendants can be adopted from
 or the rare 24k breed by special request, 

23 January 2014

Gold Stud Earrings- Custom

Custom-made gold studs 
-that can spin!
Got ideas you'd love to crystallise?

22 January 2014

Pine Needles- Black

Pine Needle pendant
Blackened Silver

Yours at The GoldenSmith Shop

7 December 2013

New Earring Patterns

New earrings. Some of these patterns are now at Pieces of Eight in Melbourne...
Or world-wide folks can get them from:
The Golden Smith Shop
Email me if you cant see the patten you like.

Horse / Walk

Dad's new horse- I went for a little walk. 

Golden Ratio Rings

Golden Ratio rings.
Formula with Feeling- that's my intention.

28 November 2013

Newen Days Rings

Newen Days rings;
Moonstone and reclaimed ebony in gold.
Joe thought of the name;
"coz dere's de olden days and, dere's de newen days"

26 November 2013

Golden Fiori

Fiori Earrings in vermeil. These have extra flowers too.

1 November 2013

Lapis, Lapis, Lapis, Lapis Lazuli

Finding a rhythm in making these over and over...
Silver, too, if thats your colour.

30 October 2013


David Neale, Colour Fold
Acquired by National Gallery of Victoria

21 October 2013


You can now find me on Instagram:


Check it out for more jewelry (and jewellery too)


 'Mayon' Bangle.  Steel. I was thinking of a climber's mallion. Plus Marcel Wander's quote:
"we can no longer marvel at a tube being bent"- well the tube part is straight.
Simple and heavy.
'Rond' Bangle

'Lozenge' Bangle.
Gold plated bronze.
I first made this in 2009 I think...
but I may start making them again.

16 October 2013

Diamond Ring

David Neale 'Emerald-cut' Diamond, 18k Gold Ring
Simple, simple.
Golden Ratio proportions.

14 October 2013

Stack Rings

Gold, lapis lazuli or turquoise stack rings.
To be worn above other rings,
 or alone, 
or flip over and wear below.

11 October 2013

Stack Ring

A ring to stack on top of others.
Labradorite and copper, set in silver.
Blue with a red border glows.

10 October 2013

Golden Ratio Ring

Golden Ratio Ring.
 Made of gold (what else?)

I really like just a simple, simple ring, dont you?
But I often think, what is it that would make a simple ring good?

Answer: pleasing proportions.

Also known as sectio aurea and the Divine Proportion.

9 October 2013

Rhyming game

Marie's Gates

Gilt wrought iron detail from the gates at Petit Trianon, Versaille.
(The mini-palace where Marie Antoinette sought refuge from court life. And Louie.)

7 October 2013

Flower Earrings

A pair of earrings I made today. The design has in mind a methodology that doesnt require sanding or polishing, mainly just shearing and flame-work (a bit like etruscan?). I would love to make these in 22k gold (of course!) Please contact me if you'd like a pair in gold.
The silver version is available in The Golden Smith Shop. US$250
 Here is the method:

First, roll out silver to a thin sheet, using rolling mills.

Cut out discs, then petals. I use scissors for this- snips or saw would be too awkward.

Flatten and texturise the flowers on a rough anvil, with an antique hammer.

Scribe lines on petals using a double-pointed tool and on a heavy paper pad to allow the right amount of push-out.

Close-up of said tool. I fashioned this from a broken twist drill and hold it in a pin vice.

Dome the shapes using a wooden punch and matrix.
I dont use steel versions of these tools as these would probably spread the already-thin material.

I also stone-washed (not shown) these components to de-burr the edges.

Little backing cups are made using the same method.
 All components, including ear wires are organised for assembly.

The backing cups are soldered to the ear wires. Soldering (not shown) is done under an exhaust hood and I also wear a respirator- to protect myself from potential fume hazards.

The flowers have holes punched through their centres, and are attached to backing-cups with a ball rivet. These rivets are formed from short lengths of wire with little heads melted on each end- and will allow the flowers to move a little.

A hot little flame is needed to quickly melt this rivet-head without heating the adjacent solder join 
-which has a lower melting temperature. In other words, if you do this wrong, the whole lot melts together... or falls off!

Repeat. Repeat. Repeat... Repeat!

Assembly complete.

Bend assemblage into earring configuration, with ear-hooks.

 Looking a little grey at this point, I immerse them in a bath of citric acid, 
which brings them to a bright colour.

I burnish the ear-hooks to be bright and smooth, and give them a soapy wash.
I may try some similar versions with elements other than flowers? 

30 September 2013

Ancientish Earrings

Earrings, gold and turquoise.
A recent commission that I've just completed, for "a pair of hinged earrings with some sort of turquoise element". Ancient Roman earrings were an inspiration. The entire piece is hand-fabricated, meaning that all the pieces are shaped and joined- directly from gold. I cut the stones to an oblate ovoid shape, leaving them slightly irregular and setting them in a rugged bezel (the collar that holds the stone) for that ancient look. Mill-grained edges and contoured hinge-fingers are an echo of the granulation and decorative rolled wire that you might see on ancient gold-work.When you make little gold structures like these, with several elements and features, the construction strategy- that is, the sequence of tasks- becomes increasingly consequential. For example, if you solder a very thin bit of gold onto a hefty one, the thin one can easily melt whilst the hefty one is just getting warm. These kind of problems compound as the all the elements come together. The stone-setting comes almost at the end of the sequence, with the final touch being to make the texture of the gold just right, all over. For me this is a mixture of polishing, burnishing, and stoning- a natural mid-point between high-polish (which the gold won't hold for long, being a soft metal) and matte, (which the gold wont hold for long... being a soft metal!)
Trivia; Turquoise is called that because it was said to be sourced from Turkey.

18 September 2013


This handsome object is a wooden plate known as a trencher. Apparently this form of medieval tableware began, originally, as a crust of stale bread to put food on- and then given to the poor at the end of the meal.
Eventually the bread idea was phased out I suppose, because they started making trenchers from wood.
And then the poor ate... cake?

Anyway, I love the circle/ square design- Deiter Rams couldn't have done better.